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Reviews

Looking for what to watch? Observer reviews are detailed assessments of new and noteworthy cinema, stage and television happenings. From TV reviews to movie reviews to theatre reviews, check back daily for the best in in-depth cultural criticism and curated must-watch lists that will keep you up-to-date on the leading edge of entertainment.

‘You Hurt My Feelings’ Review: The Problems of Everyday Life, Perfectly Played

Julia Louis-Dreyfus is pitch perfect and hilariously relatable in this Nicole Holofcener film about a marriage strained by a white lie that suddenly becomes not so little.
By Emily Zemler

‘The Little Mermaid’ Review: One of Disney’s Best Live-Action Reimaginings

It's too long, and none of the new songs work. But Halle Bailey retains everything that was originally captivating about Ariel, and this new, more diverse 'Little Mermaid' offers much to fans old and young.
By Emily Zemler

‘The Mother’ Is a Generic Bloodbath Glaringly Devoid of Originality

This forgettable action thriller is thoroughly derivative. Somebody did everything Jennifer Lopez does in this rehashed cinematic gumbo first, in better movies than 'The Mother.'
By Rex Reed

‘Mercy’: Another Piece of Junk in the Current Parade of Forgettable Movies

By Rex Reed

‘Fast X’ Review: Strap In, Forget The Laws of Physics, And Enjoy the Ride

By Emily Zemler

‘Master Gardener’ Review: Another of Paul Schrader’s Lost Souls Seeks Redemption

By Oliver Jones

‘L’immensità’: An Extraordinary and Unforgettable Coming Of Age Drama

By Rex Reed

‘BlackBerry’ Review: An Innovate Or Die Tale of Technology, Artistry, And Capitalism

By Dylan Roth

‘The Mother’ Review: Jennifer Lopez Is Charismatic, Tough And Totally Ripped

By Emily Zemler

‘Love Again’ Review: Phoned-In Rom Com About Text Messages

By Rex Reed

‘Guardians of the Galaxy Vol. 3’ Review: A Spotify Playlist In Search Of A Movie

By Oliver Jones

‘Sisu’ Review: A Gore-Splattered Contender For Action Movie Of The Summer

By Oliver Jones

‘Chevalier’ Review: An Opulent Footnote to Black History

By Rex Reed

‘Ghosted’: 50% Rom-Com, 50% Action Blockbuster, 100% Forgettable

By Dylan Roth

A Remarkable Documentary Celebrates Little Richard’s Revolutionary Art And Existence

By Oliver Jones

Shailene Woodley Delivers Another Blockbuster Punch in ‘To Catch A Killer’

By Rex Reed

‘The Pope’s Exorcist’ Has All The Vitality Of A Corpse

By Oliver Jones

‘Barry’ S4 Review: In A Final Season, Still The Most Fun You’ll Have Being Bummed Out

By Dylan Roth

‘Renfield’ Review: Nicolas Cage Provides The Only Bite In This Dracula Comedy

By Dylan Roth

‘How to Blow Up A Pipeline’ Review: Film As A Revolutionary Act

By Oliver Jones

‘Paint’ Review: Unhappy Accidents Send A Bob Ross-Like Character Spiraling

By Emily Zemler

‘The Super Mario Bros. Movie’ Review: A Win For The Franchise Faithful And No One Else

By Dylan Roth

‘Air’ Review: Ben Affleck’s Overeager Love Song to Nike Succeeds More Than It Doesn’t

By Oliver Jones

‘A Good Person’ Review: Florence Pugh’s Portrayal of An Addict Is Raw and Empathetic

By Emily Zemler
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