Review
In a Thriller About the Dark Side of Capitalism, Aubrey Plaza Shines as ‘Emily the Criminal’
‘Bullet Train’ Might Be the Worst Movie Ever Made
Documentary-Style Thrillers Don’t Get Much Better Than ‘Thirteen Lives’
Lesley Manville Triumphs in Heart-Warming ‘Mrs. Harris Goes to Paris’
‘Where the Crawdads Sing’ Is a Corny and Old-Fashioned Melodrama
‘#MeToo’ Horror Thriller ‘She Will’ Has Its Unconventional Moments
‘The Forgiven’ Is a Powerful Journey Not Everyone Will Want to Take
David Cronenberg’s ‘Crimes of the Future’ Is a Senseless Collection of Horrifying Garbage
‘Fire Island’ Delivers Gay Rom Com Summer Fun With a Jane Austen Twist
‘Top Gun: Maverick’ Is Skillful, Old-Fashioned Filmmaking That Goes With Popcorn Like Butter
‘Happening’ Should Be Screened for the Supreme Court
Maybe Crime Does Pay. ‘The Duke’ is Charming, Understated and Completely Enjoyable
‘Ambulance’ Is Unoriginal and Boring but It’s Probably Not Jake Gyllenhaal’s Fault
Naomi Watts Is Stoic and Indestructible in Epic Adventure ‘Infinite Storm’
In ‘Gold’ Zac Efron is Running Out of Hope and Bottled Water
‘Measure of Revenge’ is a Baffling Disaster
‘Fresh’ is ‘Fifty Shades of Grey’ with Tabasco Sauce
‘Dog’ Has No Teeth
‘The Pact’ is a Riveting Homage to a Unique Literary Sensation
