Annie Taylor On Collecting as Cultural Stewardship Taylor’s collecting practice is highly instinctive but not reckless, shaped by both immediate resonance and careful looking. By Elisa Carollo
An Exhibition in Paris Reconsiders Minimalism for a Hyper-Mediated Age “Minimal” at La Bourse de Commerce aptly demonstrates why the movement feels newly urgent today. By Elisa Carollo
Observer’s 2025 Art Market Recap: Recovery After a Year of Recalibration On the cusp of 2026, optimism is returning to the art world, tempered by a growing recognition that its next chapter will demand structural reinvention. By Elisa Carollo
Meet the Collector: Raphaël Isvy Wants to Rewrite the Rules of Buying and Selling Art By Elisa Carollo
Observer’s 2025 Art Power Index: The Art Market’s Most Influential People By The Editors, Christa Terry, Dan Duray, Elisa Carollo, Farah Abdessamad and Merin Curotto
The Paris Auctions Cap a Triumphant Art Week With Record Sales, Surrealist Strength and Italian Postwar Gems By Elisa Carollo
Art Basel Paris’ Clément Delépine Reflects On How the Fair Tightened Its French Roots and Global Reach By Elisa Carollo
The Most Influential People in Art By The Editors, Christa Terry, Elisa Carollo, Merin Curotto, Mána Taylor and Su Ertekin-Taner
A New Exhibition Series Celebrates the Visionary Sculptural Practice of Lynn Chadwick By Elisa Carollo
Stefan Ratibor and Millicent Wilner On London’s Frieze Fairs and the Proximity of Art Basel Paris By Dan Duray