These exhibitions, spanning museum-level presentations of works by Lynda Benglis and Alfredo Jaar, ambitious gallery debuts and digital experimentation, are worth making time for.
At its 30th edition, miart spread galleries across three floors in a move that unsettled some exhibitors while sharpening distinctions between its offerings. The fair’s mix of modern and contemporary work, steady sales and candid self-assessment revealed a scene still defining its identity, but gaining momentum.