City Opera’s ‘María de Buenos Aires’ Takes a Close Look at a Sex Worker’s Rise and Fall
Heartbeat Opera’s ‘Dragus Maximus’ Reimagines a Classic Greek Myth as a Raucous Queer Odyssey
Nico Muhly Finds a Compelling Muse in the Met Opera’s ‘Marnie,’ but His Score Can’t Match Her Drama
Puccini’s Wild West Opera Will Shatter Your Heart (Even With the Met’s Subpar Staging)
‘Maria by Callas’ Charts the Downward Spiral of One of Opera’s Greatest Divas
Anna Netrebko’s ‘Aida’ Takes No Prisoners in a Triumphant Return to the Met
Even an Orgy Scene Can’t Save the Met Opera’s Dull Take on ‘Samson et Dalila’
From ‘Marnie’ at the Met to James Whiteside’s Surrealist Leaps, the Must-See Opera and Dance of Fall 2018
