Bartlett Sher On Theater as a Catalyst for Change Known for his politically attuned revivals, the director once again uses the stage to question art’s power in moments of moral and social crisis. By Annie Levin
Doubt, Faith and the Creative Odyssey Behind Sarah Kirkland Snider’s “Hildegard” Produced in collaboration with Beth Morrison and directed by Elkhanah Pulitzer, the work bridges sacred tradition and modern experimentation. By Jordan Riefe
With Precision and Playfulness, ‘La Fille du Regiment’ Considers Love, Loyalty and the Absurdities of War Laurent Pelly’s spirited revival at the Met turns military mayhem into irresistible comedy. By Gabrielle Ferrari
Erin Morley and Lawrence Brownlee Bring ‘Golden Age’ Flair to the Met’s ‘La Fille du Régiment’ Revival By Christopher Corwin
Review: Opera Philadelphia’s Snappy Rare Rossini Without Stars and the Met’s Dour New ‘La Sonnambula’ By Christopher Corwin
Is ‘The Amazing Adventures of Kavalier and Clay’ the Opera We Need or Just the One We Deserve? By Gabrielle Ferrari
Anthony Roth Costanzo Brings Charles Ludlam’s 1983 Drag Fantasia to Little Island By Gabrielle Ferrari
At SummerScape, a Timely ‘Julietta’ Satirizes the Nostalgic Obsessions of Fascism By Gabrielle Ferrari
In 2025’s Love & Power, the Boston Early Music Festival Unearths Another Baroque Rarity By Christopher Corwin
Two Symphony Orchestras Tackle Wagner’s Supreme Masterpiece and Strauss’s First Opera with Mixed Results By Christopher Corwin
The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda By Gabrielle Ferrari