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Marie (Pretty Yende) and Tonio (Javier Camarena) take a break from peeling potatoes to discover love.

A Donizetti Rom-Com Fizzes; A Mozart Tragedy Flops at the Met Opera

American soprano Aprile Millo enters the fifth decade of her career with a recital of parlor songs.

Soprano Aprile Millo Is a Case Study in Star Quality

By James Jorden

Who Is Don Giovanni? Cornelius Meister’s Met Debut Tackles the Debated Question

By Mary von Aue
Bluebeard (Gerald Finley) introduces Judith (Angela Denoke) to the horrors of his castle.

The Met’s Double Bill of ‘Iolanta’ and ‘Bluebeard’s Castle’ Proves Opera’s Potential to Terrify

By James Jorden
Kyle Ketelsen is the jealous husband Golaud in Debussy's 'Pelléas et Mélisande'.

Debussy Is the Only Star on Show in the Met’s Uninspired ‘Pelléas et Mélisande’

By James Jorden

The Met Opera’s ‘Pelléas et Mélisande’ Conjures a Disturbing Vision of the Downside of Love

By James Jorden
Vocal ironist Joseph Keckler in 'Train with No Midnight'.

Joseph Keckler’s New Musical Is an Enigmatic Highlight of NYC’s Prototype Festival

By James Jorden
Adriana (Anna Netrebko) is about to take her revenge on Maurizio and the Princess in 'Adriana Lecouvreur'.

Anna Netrebko Is the Ultimate Diva in the Met’s ‘Adriana Lecouvreur’

By James Jorden
2018 was a horrible year for tearful goodbyes.

In Memoriam: Rex Reed Says Goodbye to the Biggest Stars of 2018

By Rex Reed
The Mother (Aundi Marie Moore) is suspicious of Amahl's (Luciano Pantano) tall tales.

On Site Opera’s Soup Kitchen-Set ‘Amahl and the Night Visitors’ Should Become a Christmas Tradition

By James Jorden
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