Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Marina Abramović Blessed Fernando Romero’s Reopening of Barragán’s La Cuadra San Cristóbal By Elisa Carollo
Uber CEO Hopes to Attract Tesla as a Self-Driving Partner Using His ‘Charm’ By Alexandra Tremayne-Pengelly