‘Così Fan Tutte’ May Be Misogynistic, But Somehow the Met Made It Worse In the Met's new production of Così Fan Tutte, director Phelim McDermott flings around a sledgehammer in an opera that should be treated with a surgical touch. By James Jorden
Tim Berners-Lee Warns A.I. Could Kill the Web Economy as No One Visits Sites Anymore By Alexandra Tremayne-Pengelly
Art Basel Launches Zero 10, a New Platform for Digital Art in the Era of Next Gen Collecting By Elisa Carollo
Cooperation Between Galleries and Across Industries Is Art Collaboration Kyoto’s Blueprint for the Future of the Art Fair By Elisa Carollo
The Only Certainty Is Uncertainty: Why a Culture of Innovation Will Be Critical in 2026 By Barbara Salopek
