In the Met’s Many Revivals, Sometimes Second Casts Finish First In many cases, the second, third and even fourth casts surpassed the season premieres that tend to attract the most attention. By Christopher Corwin
Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Walmart CEO Doug McMillon to Retire After a 40-Year Career at the Retail Giant By Alexandra Tremayne-Pengelly
Jo Fish Confronts the Tension Between Flesh and Data in a World of Visual Saturation By Elisa Carollo
Job Hugging: The HR Buzzword That Reveals a Deeper Productivity Crisis By Dr. David Oxley and Dr. Helmut Schuster