Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Material and Salón ACME Open to Enthusiastic Crowds as Dealers Creatively Solve Customs Delays By Elisa Carollo
Christie’s Is Holding the First Ever Dedicated A.I. Art Sale at a Major Auction House By Christa Terry
