In “Eruption,” Lindsay Jarvis and Max Werner Make a Case for Collaboration Their multigenerational exhibition rethinks Neo-Expressionism while quietly proposing a model of art dealing that’s rooted in shared risk and reward. By Elisa Carollo
When Smooth Stops Selling: The Decline of ‘Non-Frictional Art’ What once appeared to be the perfect alignment of aesthetics and market logic—smooth, neutral, digestible, collector-friendly—is now struggling to move. By Elisa Carollo
A Ton of People Came Back from Art Basel Miami Beach With Covid A coronavirus surge is currently ripping through NYC, and many on Twitter are blaming Basel. By Helen Holmes
Michael J. Anderson Grew OKCMOA’s Collection by 30 Percent. Now He’s Bringing His Approach to Portland. By Dan Duray