A King of Countertenors Arrives in New York With a Royal Orchestra Let’s hope Franco Fagioli returns soon, as he remains one of the most exciting and moving talents in opera today. By Christopher Corwin
St. Thomas, Trinity Church, David Geffen and Carnegie Hall: The Many Ways to Handle ‘Messiah’ Four of the city’s best-known productions are remarkably different yet still deeply satisfying in their individual approaches to the perennial masterpiece. By Christopher Corwin
Young Singers Must Keep Their Eyes on the Prizes When Launching Opera Careers A week before the Metropolitan Opera Eric and Dominique Laffont Grand Finals, nineteen semifinalists performed for the first time on the Met stage. By Christopher Corwin