Opera Underground: Caroline Shaw’s ‘Partita for 8 Voices’ and Gelsey Bell’s ‘morning//mourning’ at Green-Wood Cemetery The crypt’s eerie atmosphere and the pre-performance libations couldn't quite compensate for the abridged programs. By Gabrielle Ferrari
Inside DataBank’s Third Wave: Kevin Ooley on Water, Power and What Happens After the A.I. Gold Rush By Merin Curotto