New York City Ballet’s Spring Season Runs the Gamut A review of of City Ballet’s 2019 spring season that swings between inspiring and unfortunate, plus 'High Button Shoes' and Mark Morris’ 'Pepperland.' By Robert Gottlieb
The Met’s Double Bill of ‘Iolanta’ and ‘Bluebeard’s Castle’ Proves Opera’s Potential to Terrify Director Mariusz Trelinski has welded two short operas into a chilling theater experience. By James Jorden
The Met Opera’s ‘Pelléas et Mélisande’ Conjures a Disturbing Vision of the Downside of Love The rarely performed masterpiece 'Pelléas et Mélisande' by Claude Debussy returns to the Met under the baton of Yannick Nézet-Séguin. By James Jorden
A.I.’s Power Problem: How Data Centers Hold the Key to a Greener Future By Eyjólfur Magnús Kristinsson