Tiler Peck On Bringing ‘Turn It Out with Tiler Peck & Friends’ Back to City Center Her curatorial approach transforms the stage into a meeting place for different genres and creative sensibilities to participate in rhythmic dialogue. By Caedra Scott-Flaherty
Opera Underground: Caroline Shaw’s ‘Partita for 8 Voices’ and Gelsey Bell’s ‘morning//mourning’ at Green-Wood Cemetery The crypt’s eerie atmosphere and the pre-performance libations couldn't quite compensate for the abridged programs. By Gabrielle Ferrari
Pulitzer Prize-Winning Composer Caroline Shaw on Writing Music for Winter Moods 'I'm trying to figure out the balance between winter and holiday and joy and sadness.' By Helen Holmes