Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
This Labor Day, It’s Time for a New Social Contract With Workers By Andrea Gordillo and Althea Erickson
Marian Goodman’s Multiples, Inc. Banners to Resurface at New York’s Independent 20th Century By Elisa Carollo
