Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Fei-Fei Li’s Spatial A.I. Startup World Labs Unveils Its First Product By Alexandra Tremayne-Pengelly
Meet the Collector: Raphaël Isvy Wants to Rewrite the Rules of Buying and Selling Art By Elisa Carollo
From Profit to Purpose: The Next Generation’s Values Are Rewriting the Rules of Success By Ted Swimmer
