Heartbeat Opera’s ‘Salome’ Dares Us to Look Director Elizabeth Dinkova flips the script on Salome by ensuring that the audience sees more of the male body than the female one. By Gabrielle Ferrari
Review: Does A Race-Critical ‘Show Boat’ Weather the Winds of History? This minimalist staging strips 'Show Boat' to its bones, scraping away a century of cultural rust and sentimentality to reveal an often deeply sad and frequently funny masterpiece of music-theater. By David Cote
Anthony Roth Costanzo Is and Isn’t ‘The Marriage of Figaro’ Much of this production feels like an inside joke, one perhaps aimed at singers and opera superfans. By Gabrielle Ferrari
Heartbeat Opera’s ‘Dragus Maximus’ Reimagines a Classic Greek Myth as a Raucous Queer Odyssey By Mary von Aue