Diane Simpson’s towering Deco-inspired sculpture channels luxury shop windows, while Roe Ethridge’s Chanel-draped mackerels and Marina Pinsky’s glistening paint cans blur lines between high fashion and household grit. Flower arrangements conceal dark wit (one promises, ominously, I Will Cook Myself Tomorrow), and Simon Martin’s hypnotic video on an ‘80s Memphis bookshelf turns furniture into near-living sculpture. Seduction, here, isn’t subtle—it’s the point.