Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
In New York’s Chinatown, Tom Sachs Has Recreated Chanel’s Paris Flagship Out of Plywood and Paint By Elisa Carollo
