Valerie Mercer and the Long Work of Putting African American Art Where It Belongs The DIA's lead curator of African American art discusses what it means to move a collection from the margins of a museum to its literal center. By Christa Terry
One Fine Show: “Edmonia Lewis, Said in Stone” at the Peabody Essex Museum The sculptor found her audience with political memorabilia and rose to international fame in her own lifetime By Dan Duray
How the White Rabbits of Chicago’s World’s Columbian Exposition Sculpted a Lasting Legacy Though the art and architecture of the fair were mostly destroyed, as was intended, its curious cultural legacy was not. By Mary Gregory