In the Met’s Many Revivals, Sometimes Second Casts Finish First
In many cases, the second, third and even fourth casts surpassed the season premieres that tend to attract the most attention.
Elīna Garanča
News About Elīna Garanča
Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met
Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production.
Teatro Nuovo Revives a Forgotten Bel Canto Opera by a Woman Composer for the First Time in Nearly 200 Years
If this revival of the 19th Century opera by Carolina Uccelli didn’t reveal a hidden masterpiece, "Anna" does provide a glimpse into what might have been had Uccelli kept composing.
