Claus Guth’s ‘Salome’ at the Met Says the Quiet Part Loud The final cistern scene, in which a blood-daubed Elza van den Heever as Salome finally kisses the head, is a masterstroke. By Gabrielle Ferrari
Heartbeat Opera’s ‘Salome’ Dares Us to Look Director Elizabeth Dinkova flips the script on Salome by ensuring that the audience sees more of the male body than the female one. By Gabrielle Ferrari