Emmanuel Di Donna

News About Emmanuel Di Donna

Observer’s 2025 Art Market Recap: Recovery After a Year of Recalibration

On the cusp of 2026, optimism is returning to the art world, tempered by a growing recognition that its next chapter will demand structural reinvention.

By Elisa Carollo

You’re So Blain: Meet the Surreal New Upper East Side Gallery

The floor-to-ceiling windows in the new Blain Di Donna gallery in the Carlyle Hotel look out on the brown marble

By Dan Duray

Most Recent Posts on Observer

In Qatar’s Zekreet Desert, Sheikh Mohammed Rashid Al-Thani Welcomes All

By Elisa Carollo

Fei-Fei Li and Andrej Karpathy Back a New A.I. Use Case: Simulating Human Behavior

By Alexandra Tremayne-Pengelly

Francesco Bonami’s Case Against Trend-Chasing in the Museum Business

By Dan Duray

Mia Westerlund Roosen’s Ongoing Material Inquiry

By Christa Terry

From Soil to Still: The Master of Botanicals Rethinking Sustainability in Premium Spirits

By Sonia Rubeck

Masterpieces from Agnes Gund’s Collection Will Headline Christie’s May Marquee Auctions

By Elisa Carollo

Emmanuel Di Donna

News About Emmanuel Di Donna

Observer’s 2025 Art Market Recap: Recovery After a Year of Recalibration

You’re So Blain: Meet the Surreal New Upper East Side Gallery

Most Recent Posts on Observer

In Qatar’s Zekreet Desert, Sheikh Mohammed Rashid Al-Thani Welcomes All

Fei-Fei Li and Andrej Karpathy Back a New A.I. Use Case: Simulating Human Behavior

Francesco Bonami’s Case Against Trend-Chasing in the Museum Business

Mia Westerlund Roosen’s Ongoing Material Inquiry

From Soil to Still: The Master of Botanicals Rethinking Sustainability in Premium Spirits

Masterpieces from Agnes Gund’s Collection Will Headline Christie’s May Marquee Auctions

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