From Midnight Casts to Authorized Editions: Understanding the Market for Posthumously Produced Art Works made after an artist's death fall into a fascinating gray zone, but that doesn't mean they're not a good buy. By Daniel Grant
Art Genève Courts Galleries With a Different Market Logic This fair unfolds at a deliberately measured scale, offering galleries and collectors a setting defined by conversation and connection. By Sarah Moroz
Alma Allen’s Pavilion Appointment Exposes the Murky Politics Behind Venice 2026 For months, the art world waited to see who would pass the "Trump test" to represent the U.S. at the next Venice Biennale. By Elisa Carollo
Observer’s 2025 Art Power Index: The Art Market’s Most Influential People By The Editors, Christa Terry, Dan Duray, Elisa Carollo, Farah Abdessamad and Merin Curotto
Absurdist Dystopia and Ancestral Ritual: The Best of Art Basel’s Unlimited Sector in 2025 By Elisa Carollo
Bank of America’s Latest Report Says Market Opportunities Will Lead the Fall Art Auction Season By Elisa Carollo
Ahead of Art Basel Miami Beach and the City’s Art Week, ICA Miami Announces a Major Expansion By Elisa Carollo
María Magdalena Campos-Pons’ ‘Procession of Angels for Radical Love and Unity’ Takes Over Manhattan By Elisa Carollo
Chloë Sevigny, Joan Jonas and More: A Who’s Who of Dia Art Foundation’s Spring Benefit By Christa Terry
The de la Cruz Collection Museum’s Holdings Are Headed for the Auction Block By Alexandra Tremayne-Pengelly
Capturing Connection: Photographer Clifford Prince King On Relationships, Fear and Finding Home By Christa Terry
Indigenous Artist Jeffrey Gibson Will Represent the U.S. at Next Year’s Venice Biennale By Alexandra Tremayne-Pengelly
This Felix Gonzalez-Torres Artwork Is Currently Installed at 1,000 Sites Around the World By Anni Irish