Met’s Dour ‘Requiem’ Proves Levine’s Conducting Is All Show, No Substance A performance of Verdi's masterpiece tried for terrific choral singing and but failed due to empty conducting. By James Jorden
Performed Live or Recorded, The High Notes of the Year Looking back on this past year of Manhattan Music columns, I’m struck by a misnomer: The term “classical music” can’t By Charles Michener
At the Grand Palais, Laure Prouvost Translates Quantum Physics Into Something You Can Feel By Elisa Carollo
When the Future Came to City Hall: The Forgotten Blueprint for A.I. Governance By Michael John Gorman