Review: Sondheim’s Swan Song Is Goofy, Satirical, And A Joy to Hear The one-percenters of Stephen Sondheim’s final work, 'Here We Are,' are living a life of pleasure, beauty, and infinite possibility. Until Act II, that is. By David Cote
Review: ‘Epiphany’ Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like An excellent cast with a so-so story, 'Epiphany' has great moments that don’t quite come together, but could appeal to some. By David Cote
Meta’s Yann LeCun to Launch Physical A.I. Startup After Declaring LLMs a ‘Dead End’ By Alexandra Tremayne-Pengelly