A Magnificent ‘Bluebeard’s Castle’ Crowns a Fine Met Season But Not at Lincoln Center Yet dissatisfaction remains about music director Yannick Nézet-Séguin's role in where the company is headed. By Christopher Corwin
Opera Queensland’s ‘Orpheus & Eurydice’ Is a Feast for the Eyes The production is a testament to opera’s ability to evolve in the hands of a creative (and courageous) director. By Christa Terry
The Met’s ‘Flying Dutchman’ Remains Shipwrecked Despite New Crew This dispiriting revival of François Girard's bland 'Der Fliegende Holländer' suggests the direct may be a one-shot wonder. By Christopher Corwin