Giacomo Puccini

News About Giacomo Puccini

‘La Bohème’ at the Royal Opera House Brings 19th-Century Paris to Life in Stunning Detail

The experience of watching this opera is so very intense that the subtitles are often unnecessary.

By Frances Forbes-Carbines

The Met Honors Puccini With a Scattershot Gala ‘Tosca’

The production revealed that soprano Lise Davidsen and tenor Freddie De Tommaso are not especially well-matched

By Christopher Corwin

How Tomer Zvulun Turned the Atlanta Opera Around

Could his innovative approach to company management offer a solution to the mounting economic crisis in the world of opera?

By Alexandra Tremayne-Pengelly

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

By Christopher Corwin

Barcelona Puts on an Opera for a Crowd of Puccini-Loving Plants

By Helen Holmes

A Bougie ‘Bohème’ Returns to the Met

By James Jorden

The Met’s Mediocre ‘Trittico’ Doesn’t Do Plácido Domingo (Or Puccini) Justice

By James Jorden

A Humble ‘Carmen’ Outclasses an Over-the-Top ‘Tosca’ at the Metropolitan Opera

By James Jorden

Puccini’s Wild West Opera Will Shatter Your Heart (Even With the Met’s Subpar Staging)

By James Jorden

Anna Netrebko Proves Opera Divas Still Exist In a Breathtaking ‘Tosca’

By James Jorden

Met’s New ‘Semiramide’ Is a Tacky Tragedy

By James Jorden

Met Needs to Update Shady Sexual Politics of ‘Turandot’ Staging

By James Jorden

New York City Opera’s New ‘La Fanciulla del West’ Is a Tearjerker

By James Jorden

Diva Anna Netrebko, The Met’s Flaming Youth

By James Jorden

Ambitious Opera ‘The Turandot Project’ Is Worth the Travel Up the Hudson

By James Jorden

Upstart Apotheosis Opera Mines Gold in Puccini’s Western

By James Jorden

Why, Tosca? Really. This Performance Made Us Question Everything

By James Jorden

The Met’s Triumphant ‘Il Trovatore’ Is a Return to Opera’s Golden Age

By James Jorden

The Recipe for Great Opera: The Met Serves Up a Delectable ‘La Cenerentola’

By James Jorden

This ‘Butterfly’ Has Wings: Kristine Opolais is Met’s Best Cio-Cio-San Since Diana Soviero

By James Jorden

Deeper, Riskier Magic Flute A Triumph of Sinister Thrills

By Charles Michener

Rich Operatic Discoveries Unearthed Around N.Y. State

By Charles Michener

There’s No Biz Like Baz Biz: High Rent Bohème Hits Broadway

By John Heilpern

Giacomo Puccini

News About Giacomo Puccini

‘La Bohème’ at the Royal Opera House Brings 19th-Century Paris to Life in Stunning Detail

The Met Honors Puccini With a Scattershot Gala ‘Tosca’

How Tomer Zvulun Turned the Atlanta Opera Around

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

Barcelona Puts on an Opera for a Crowd of Puccini-Loving Plants

A Bougie ‘Bohème’ Returns to the Met

The Met’s Mediocre ‘Trittico’ Doesn’t Do Plácido Domingo (Or Puccini) Justice

A Humble ‘Carmen’ Outclasses an Over-the-Top ‘Tosca’ at the Metropolitan Opera

Puccini’s Wild West Opera Will Shatter Your Heart (Even With the Met’s Subpar Staging)

Anna Netrebko Proves Opera Divas Still Exist In a Breathtaking ‘Tosca’

Met’s New ‘Semiramide’ Is a Tacky Tragedy

Met Needs to Update Shady Sexual Politics of ‘Turandot’ Staging

New York City Opera’s New ‘La Fanciulla del West’ Is a Tearjerker

Diva Anna Netrebko, The Met’s Flaming Youth

Ambitious Opera ‘The Turandot Project’ Is Worth the Travel Up the Hudson

Upstart Apotheosis Opera Mines Gold in Puccini’s Western

Why, Tosca? Really. This Performance Made Us Question Everything

The Met’s Triumphant ‘Il Trovatore’ Is a Return to Opera’s Golden Age

The Recipe for Great Opera: The Met Serves Up a Delectable ‘La Cenerentola’

This ‘Butterfly’ Has Wings: Kristine Opolais is Met’s Best Cio-Cio-San Since Diana Soviero

Deeper, Riskier Magic Flute A Triumph of Sinister Thrills

Rich Operatic Discoveries Unearthed Around N.Y. State

There’s No Biz Like Baz Biz: High Rent Bohème Hits Broadway

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