Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Klarna’s First Public Earnings Report: Strong US Growth, ‘Neobanking’ and A.I. By Alexandra Tremayne-Pengelly
How Cloudflare, the Company Powering 20% of All Websites, Suddenly Went Down By Alexandra Tremayne-Pengelly
A.I., Data Centers and Climate Impact: How Leaders Are Rewriting the Energy Equation By Mehdi Paryavi
