At NOMAD St. Moritz, a Cohesive Vision of Lived Aesthetics Vintage modernism and contemporary experimentation met seamlessly, reinforcing this fair’s reputation for refined yet adventurous curation. By Alistair MacQueen
Art Fairs at a Turning Point: Why Galleries Can’t Afford to Go—but Can’t Afford to Stop After decades of unchecked expansion, economic realities are forcing fairs to become more selective, more regional and more accountable. By Elisa Carollo
Why Giorgio Pace Wants to Keep NOMAD as Exclusive as Possible "To be honest, I don't want to evolve so much because if you make a fair bigger, it's very dangerous." By Alistair MacQueen
Dindga McCannon Has Been Stitching Black History into the American Art Canon for 60 Years By Elisa Carollo