ASMA’s Show at SculptureCenter Stages an Obscure But Dystopic Reality in New Hybrid Forms The duo's Frankensteinian, cyber-like jointed sculptures haunt SculptureCenter’s labyrinthine lower level. By Elisa Carollo
Tom Wesselmann’s Work at Fondation Louis Vuitton Mixes Entertainment and Unease While not all of the artist's works are problematic, the exhibition unequivocally pardons Wesselmann’s overt leeriness. By Sarah Moroz
Peter Kennard and the Art of Dissent at London’s Whitechapel Gallery We need art and curatorial spaces dedicated to expressing dissent now more than ever. By Henry Roberts