In 182 illustrated panels on view at PPOW in New York, the artist recalls the traumatic 2002 accident that prompted him to reconsider the meaning and direction of his practice.
Observer spoke to curator Udo Kittelmann about willfully modifying art world terminology, being firmly anti-black box and the unmistakable constancy of human desires.
By highlighting artists from communities historically excluded from mainstream art institutions, the show challenges assumptions about artistic authority.