The exhibition is a sonic prayer organized around Hildegard of Bingen (1098-1179), presented by the Holy See and curated by Hans Ulrich Obrist and Ben Vickers.
A spate of 2025 shows points to wider institutional interest not only in art that engages mystical or occult frameworks but also in rereading art history through a more spiritually charged lens.
"There’s a lot of amazing work being done here that people should feel good about. We’re just trying to create a conversation about what opera can be in the 21st Century.”