One Fine Show: “Survival of the Fittest” at the Nelson-Atkins Museum of Art The artists featured here weren't overly concerned with anthropomorphization, striving instead to capture these creatures as they were. By Dan Duray
The Case for Installing Temporary Public Art “Everything deteriorates,” former Public Art Fund director Tom Eccles told Observer. “The question is, what do you want to retain?” By Daniel Grant
A Giant Pigeon Will Soon Tower Over the High Line Spur Titled “Dinosaur,“ the work is by the humorous and cynical Colombian artist Iván Argote. By Elisa Carollo
Humain CEO Tareq Amin Injects $3B Into Elon Musk’s xAI to Power Saudi A.I. Ambitions By Alexandra Tremayne-Pengelly
Artist Diana Thater and CMACC’s Cass Fino-Radin On Redbuilding an Archive After Disaster By Dan Duray
Davide Balliano’s Geometric Abstraction Sits at the Threshold of Precision and Entropy By Elisa Carollo
DeepMind’s Demis Hassabis Warns AGI Remains Years Away Despite A.I. Breakthroughs By Alexandra Tremayne-Pengelly