Heartbeat Opera’s ‘Salome’ Dares Us to Look Director Elizabeth Dinkova flips the script on Salome by ensuring that the audience sees more of the male body than the female one. By Gabrielle Ferrari
BAM’s Reimagining of ‘La Susanna’ Casts a Scholarly Eye on Sexual Violence In this modern interpretation of the 1681 work, the female characters take control. By Helen Holmes
Heartbeat Opera’s ‘Dragus Maximus’ Reimagines a Classic Greek Myth as a Raucous Queer Odyssey Much-maligned villain Medusa tells her side of the story in Heartbeat Opera’s 'Dragus Maximus,' the company's fifth Halloween Drag Extravaganza. By Mary von Aue
Mysticism and Mark-Making: Artist Philip Smith On Channeling the Sacred in the Static By Christa Terry