Czechs and Violins: Bard Tries to Rescue ‘Dalibor’ SummerScape continues its tradition of staging rarely performed works with the U.S. premiere of Bedřich Smetana’s opera. By Christopher Corwin
Tenor Benjamin Bernheim Scores Another Triumph in the Met’s ‘Tales of Hoffmann’ Revival With this role, Bernheim has firmly established himself as one of the Met’s most important tenors. By Christopher Corwin
A Magnificent ‘Bluebeard’s Castle’ Crowns a Fine Met Season But Not at Lincoln Center Yet dissatisfaction remains about music director Yannick Nézet-Séguin's role in where the company is headed. By Christopher Corwin
Responding to Plácido Domingo Allegations, Met and LA Opera Take Different Approaches By Helen Holmes
Halftime at the Met: James Levine Falters With <em>Falstaff</em>, but Ambrogio Maestri Is Larger Than Life By James Jorden