Joseph Bologne’s ‘The Anonymous Lover’ Is Surprisingly Unfunny in Philadelphia
There's plenty here for the historically curious but not quite enough to make for a compelling comedic performance.
Joshua Blue
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St. Thomas, Trinity Church, David Geffen and Carnegie Hall: The Many Ways to Handle ‘Messiah’
Four of the city’s best-known productions are remarkably different yet still deeply satisfying in their individual approaches to the perennial masterpiece.
Bard SummerScape 2023 Welcomed Adventurous Operagoers With Beautiful Rarities
Usually, there’s a connection between the summer’s pair of operas, but this year only a slight Tudor link arose.
