One Fine Show: “Monuments” at MOCA’s Geffen Contemporary and The Brick
This exhibition of contemporary commissions paired with decommissioned memorials proposes new ways of grappling with history and memory in a fractured nation.
Kevin Jerome Everson
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At MOCA Geffen and The Brick, “Monuments” Probes the Line Between History and Propaganda
The exhibition confronts the mythology of the Confederacy by placing toppled monuments in dialogue with contemporary works about race, history and memory.
BlackStar Film Festival’s 2025 Selections Unpack the Power and Pretense of Cinema as a Liberatory Tool
The festival raises several questions, including: Is film reflective of what society is or what it can be? Is it a way to break free or a tool of enclosure?
