Art Genève Courts Galleries With a Different Market Logic This fair unfolds at a deliberately measured scale, offering galleries and collectors a setting defined by conversation and connection. By Sarah Moroz
In Jeffrey Gibson’s “An Indigenous Present,” Native Art Beyond Representationalism The show’s cross-generational pairings surface the institutional separations that kept Native artists from forming the kinds of networks modernism took for granted. By Petala Ironcloud
Observer’s 2025 Art Power Index: The Art Market’s Most Influential People Their acquisitions, affinities and approbations move the needle on valuation and redefine how art is made, shown and sold. By The Editors, Christa Terry, Dan Duray, Elisa Carollo, Farah Abdessamad, and Merin Curotto
In Sharjah, Five Curators and Two-Hundred Artists Confront Global Issues Through a Regional Lens By Sarah Moroz
In “Giants,” Alicia Keys and Swizz Beatz Bring Their Art Collection to the Brooklyn Museum By Alexandra Tremayne-Pengelly
Miyake Pleats Please Sightings at Lorna Simpson, Jenny Holzer, and Wolfgang Tillman Exhibitions By Grace Byron