Global Art Biennials: Renovation, Revelation—or Repetition? The question remains whether an alternative biennial model can exist within an art system that structurally absorbs and standardizes difference. The answer is no. By Paco Barragán
At the New Museum Spring Gala, the Art World Turned Out for Lisa Phillips From John Waters' toast to Deborah Harry's closing set, the evening was as unconventional as the director it honored. By Christa Terry
In “Trading Beauty,” Valentina Castellani Makes the Case That Markets and Masterpieces Have Always Been Inseparable Artworks, she argues, have never been made in a vacuum, and so understanding the market is an essential part of understanding the art. By Dan Duray
The New Futures Production Fund Links the Sandretto Re Rebaudengo Foundation and NYC’s New Museum By Elisa Carollo
DESTE’s Summer Convergence Offers the Art World a Rare Pause Between Market Frenzies By Elisa Carollo
To Make an Exhibition, Make A Library: An Interview With the New Museum’s Massimiliano Gioni By Thalia Stefaniuk
Andrew Edlin Explains How the Outsider Art Fair Helped Establish a Market for the Genre By Elisa Carollo