A King of Countertenors Arrives in New York With a Royal Orchestra Let’s hope Franco Fagioli returns soon, as he remains one of the most exciting and moving talents in opera today. By Christopher Corwin
Review: The Met Opera’s ‘Hamlet’ Takes Big Swings but Mostly Misses The Met Opera's 'Hamlet' fits with the trend of contemporary Shakespeare adaptation; however, some risk-taking doesn't work as expected. By Christopher Corwin
‘Eurydice’ at the Met Opera Attempts to Live Up to Its Myth If only Aucoin’s vocal writing matched his orchestral prowess. So often one wanted a singer’s line to take flight yet it rarely did. By Christopher Corwin