When Is an Art Sale Simply Unfair and When Is It Fraud? Caveat emptor. But caveat venditor, too. By Daniel Grant
Hilma af Klint’s “Tree of Knowledge” Watercolors on Display at David Zwirner It took decades for the established art world to recognize her unique expression. By Farah Abdessamad
Behind the Gravitational Pull of Her Electric Abstractions: An Interview with Lucy Bull By Elisa Carollo
A Stegosaurus Skeleton Is Going Public as Dinosaur Fossils Increasingly Become Investments By Alexandra Tremayne-Pengelly
Closing Soon: ‘The Art of Dining, Food Culture in the Islamic World’ at the Detroit Institute of Arts By Christa Terry
‘The Living End’ at Chicago’s MCA Celebrates the Relevance and Irrelevance of Painting By Noah Berlatsky
‘The Lord of the Rings: War of the Rohirrim’ Review: A Generic, Hobbit-Free Tolkien Tale By Dylan Roth