‘People Come First’ at the Alice Neel Retrospective at The Met “She was fascinated by people, she painted people she knew really well, as well as strangers she encountered on the street." By Nadja Sayej
Paul Taylor Dance Company’s Sparkling Gala Performance: Two World Premieres and a Classic By Caedra Scott-Flaherty
ASMA’s Show at SculptureCenter Stages an Obscure But Dystopic Reality in New Hybrid Forms By Elisa Carollo