Tom Wesselmann’s Work at Fondation Louis Vuitton Mixes Entertainment and Unease While not all of the artist's works are problematic, the exhibition unequivocally pardons Wesselmann’s overt leeriness. By Sarah Moroz
From A.I. IPOs to Lasting Wealth: Preparing for the Next Liquidity Wave By Mark Lehmann and Kris Reddaway
One Fine Show: “Björk, Echolalia” and “James Merry, Metamorphlings” at the National Gallery of Iceland By Dan Duray
