Mia Pak

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Opera Underground: Caroline Shaw’s ‘Partita for 8 Voices’ and Gelsey Bell’s ‘morning//mourning’ at Green-Wood Cemetery

The crypt’s eerie atmosphere and the pre-performance libations couldn't quite compensate for the abridged programs.

By Gabrielle Ferrari

Review: Pandemic Meltdown Musical ‘Three Houses’ Finds Song in Solitude

Dave Malloy juggles book, music, lyrics, and orchestrations in this musical triptych about Covid Times. The score is entertainingly eclectic, but the dramatic tension and character development are wobbly.

By David Cote

Most Recent Posts on Observer

For Collector Marie-Cécile Zinsou, Building a Museum in Benin Was Just the Beginning

By Gameli Hamelo

Bloomberg CTO Shawn Edwards Is Rebuilding the Terminal Into an A.I. That Can’t Bluff

By Merin Curotto

At Sun Valley, A.I. Isn’t the Only Competitive Advantage That Matters

By Tania Lennon and Ric Roi

At Lisson Gallery, Kelly Akashi Gives Resilience Form

By Elisa Carollo

One Fine Show: “Deep Cuts, Block Printing Across Cultures” at LACMA

By Dan Duray

The Future Perfect’s Laura Young Makes the Case for Design as the Next Collecting Frontier