Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Surviving ‘Swept Away’: A Maritime Disaster in More Ways Than One Four shipwreck survivors sing their way through despair, but 'Swept Away' capsizes under its uninspired score. By Rex Reed
The Met Honors Puccini With a Scattershot Gala ‘Tosca’ The production revealed that soprano Lise Davidsen and tenor Freddie De Tommaso are not especially well-matched By Christopher Corwin
Review: Nadine Sierra Is a Force of Nature as Violetta in ‘La Traviata’ at the Met Opera By Gabrielle Ferrari
Nico Muhly Finds a Compelling Muse in the Met Opera’s ‘Marnie,’ but His Score Can’t Match Her Drama By James Jorden
From ‘Marnie’ at the Met to James Whiteside’s Surrealist Leaps, the Must-See Opera and Dance of Fall 2018 By Michael Martin
Forbidden Freedom: <em>Out In the Dark</em> Is a Wrenching Tale of Love in the Middle East By Rex Reed