The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda
Spin—and its darker fascist cousin—is everywhere in Elkhanah Pulitzer’s production of John Adams’s opera.
Mimi Lien
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Review: ‘Give Me Carmelita Tropicana!’ Is A Crazy Avant-Garde Flashback
This absurdist comedy—the final production to run at Soho Rep—has a hallucinogenic plot that brings to mind the days when artistic risk was the norm and downtown performance art was in high ferment.
Despite Tropes, the Met’s ‘Grounded’ Is a Solid Outing
A decade after it was commissioned, composer Jeanine Tesori's story of surveillance, guilt and motherhood has finally landed.
