‘Die Frau ohne Schatten’ at the Met Is Full of Beauty and Surprises This revival makes a compelling argument for pulling the opera out of storage more often. By Gabrielle Ferrari
Review: ‘Elektra’ at the Met Opera With Nina Stemme and Lise Davidsen The title role of Elektra is among opera’s most demanding. She’s onstage for nearly all of the work’s 100-minute running time plotting revenge for the murder of Agamemnon by her adulterous mother Klytämnestra. By Christopher Corwin
Carmakers Are Foraying Into Unconventional Lifestyle Partnerships to Woo Gen Z Buyers By Abigail Bassett
Marina Abramović Blessed Fernando Romero’s Reopening of Barragán’s La Cuadra San Cristóbal By Elisa Carollo