Curating should be an adaptive process rather than a thesis to prove, Solveig Øvstebø, director of the Astrup Fearnley Museum of Modern Art, tells Observer.
Arline Mann, a former Goldman Sachs managing director turned painter, brings a lawyer’s precision and an artist's intuition to illuminate the quiet resurgence of representational painting in a digital age. Mann dissects the movement's broader return to classical technique, human touch and lived experience, making a case for realism as not just tradition, but a countercurrent and a lasting presence in contemporary art.