Screening at NYFF: Scott Cooper’s ‘Springsteen: Deliver Me From Nowhere’ Jeremy Allen White’s conception of Springsteen is joyful to witness, but the film offers little to engage with beyond its performances. By Siddhant Adlakha
How Josephine Decker Directed the Power Plays in ‘Shirley’ and ‘Madeline’s Madeline’ "Even though this film is about a muse/author relationship, it's also about a woman's relationship to herself," the director tells Observer. By Alina Cohen
‘Shirley’ Is a Sexy, Scary Fire Fueled by Elisabeth Moss and Her Co-Stars The film fires off lines about writing and domesticity as if they were rounds from a howitzer. By Oliver Jones
‘The Stand’ Will Probably Be Great TV, But It Could Have Been a Great Film Series Too By Brandon Katz
Isabelle Huppert Is a Shrieking, Toxic Pillhead in the Off-Broadway Psychodrama ‘The Mother’ By Rex Reed