The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda
Spin—and its darker fascist cousin—is everywhere in Elkhanah Pulitzer’s production of John Adams’s opera.
Paul Appleby
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Prototype, the New York Festival of Avant-Garde Opera, Turns 12
There was a dizzyingly diverse spectrum of performances this year, with wildly divergent highs and lows.
Debussy Is the Only Star on Show in the Met’s Uninspired ‘Pelléas et Mélisande’
Debussy's magnificent score soars above the Met's lackluster revival of 'Pelléas et Mélisande.'
