New York City Ballet’s Spring Season Runs the Gamut A review of of City Ballet’s 2019 spring season that swings between inspiring and unfortunate, plus 'High Button Shoes' and Mark Morris’ 'Pepperland.' By Robert Gottlieb
City Ballet’s Final Week a Mixed Blessing It included the finest performance of Balanchine’s 'Coppélia' since the original, as well as the dimmest performance of 'Mozartiana' ever presented. By Robert Gottlieb
New York City Ballet Today…But Tomorrow? New York City Ballet's artistic director Peter Martins resigned under allegations of misconduct. The company managed a successful winter season, but its future is unclear. By Robert Gottlieb