Pink Floyd’s ‘The Wall’ Finds Scary Modern Relevance as New Opera '[While] I was composing new music for 'The Wall’ I was watching the Republican National Convention...the connection was surreal.' By Jim Farber
State of the Ballet: Balanchine Then and Now, Jerome Robbins’ ‘Glass Pieces’ As always with this company, there’s still plenty to talk about: the state of the ballets, the state of the dancers. By Robert Gottlieb
A Trio of 21st Century Operas at Untraditional Venues Three new operas impress to varying degrees By James Jorden